“The mouth that ate itself”: Reflections on Joseph Kamarũ, oral artist extraordinaire
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https://doi.org/10.17159/tl.v58i1.10413Mots-clés :
intertextuality, interdisciplinarity, Joseph Kamarũ, Kenyan literature and song, oral artistTéléchargements
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Achebe, Chinua. “The African Writer and the English Language.” Colonial Discourse and Postcolonial Theory: A reader, edited by Patrick Williams & Laura Chrisman. Columbia U P, 1994. 428–34.
Achebe, Chinua. “The Role of the Writer in a New Nation.” African Writers on African Writing, edited by G. D. Killam. Heineman, 1975.
Achebe, Chinua. “The Novelist as a Teacher.” Hopes and Impediments: Selected Essays. Anchor, 1988.
Bakhtin, Mikhail. The Dialogic Imagination. Trans. Caryl Emerson & Michael Holquist. U of Texas P, 1981.
Culler, Jonathan. Literary Theory: A Very Short Introduction. Oxford U P, 2000.
Fanon, Frantz. The Wretched of the Earth. Trans. Constance Farrington. Grove Weidenfeld, 1963.
Kamarũ, Joseph. “Chunga Marima.” Nduti One Stop. Nairobi, n. d. VCD.
Ndĩgĩrĩgĩ, Gĩchingiri & Joseph Kamarũ. Interview. Nairobi, Jul. 1993.
Njogu, Kimani & Herve Maupeau. Songs and Politics in Eastern Africa. L'Institut francais de reserche en Afrique (IFRA-Nairobi), 2007.
Ngũgĩ wa Thiong’o. Devil on the Cross. Heinemann, 1987.
Ngũgĩ wa Thiong’o. Matigari. Trans. Wangũi wa Goro. Heinemann, 1987.
Ngũgĩ wa Thiong’o. Petals of Blood. Heinemann, 1977.
Ngũgĩ wa Thiong’o & Ngũgĩ wa Mĩriĩ. I Will Marry When I Want. Heinemann, 1982.
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© Tydskrif vir Letterkunde 2021
Ce travail est disponible sous licence Creative Commons Attribution - Partage dans les Mêmes Conditions 4.0 International.
https://orcid.org/0000-0001-6465-6584
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