New Afrikaans-language cinemas / Nuwe Afrikaanstalige rolprentrigtings

Authors

DOI:

https://doi.org/10.17159/tl.v60i1.15918

Keywords:

Afrikaans film, film history, cinemas

Downloads

Download data is not yet available.

Author Biography

Chris Broodryk, University of Pretoria, Pretoria, South Africa

Chris Broodryk is associate professor in the School of the Arts, Faculty of Humanities, University of Pretoria, Pretoria, South Africa.

 

References

Arsenault, Jesse. “Queer Desire and the Men of the Nation: Reading Race, Masculinity, and South African National Identity in John Greyson’s ‘Proteus’.” Safundi: The Journal of South African and American Studies vol. 14, no. 1, 2013, pp. 37–58. DOI: http://dx.doi.org/10.1080/17533171.2012.760829.

Baumbach, Nico. “Film Theory as Ideological Critique (After Trump).” Oxford Handbook of Film Theory, edited by Kyle Stevens. Oxford U P, 2022, 151–65.

Botha, Martin. South African Cinema 1896–2010. Intellect, 2012.

Brinkema, Eugenie. “A Theory of Regret.” Book review. JCMS: Journal of Cinema and Media Studies vol. 58, no. 2, 2019, pp. 184–9. DOI: https://doi.org/10.1353/cj.2019.0015.

Corrigan, Timothy. “In Other Words: Film and the Spider Web of Description.” Oxford Handbook of Film Theory, edited by Kyle Stevens. Oxford U P, 2022, 468–81.

Eckardt, Michael. “Report: South African film history vs the history of motion pictures in South Africa.” South African Theatre Journal vol. 25, no. 1, 2011, pp. 72–7. DOI: https://doi.org/10.1080/10137548.2011.626961.

Lewis, Jack. 2004. “Slaves to love.” Mail & Guardian 12 Mar. 2004. https://mg.co.za/article/2004-03-12-slaves-to-love/.

Nagel, Thomas. “Sexual Perversion.” The Journal of Philosophy vol. 66, no. 1, 1969, pp. 5–17. https://www.jstor.org/stable/2024152.

Reid, Julie. “The remythologisation of white collective identities in post-apartheid South African film by myth and counter myth.” Communicatio vol. 38, no. 1, 2012, pp. 45–63. DOI: https://doi.org/10.1080/02500167.2011.649042.

Steyn, Adriaan S. “Story of a South African farm attack.” Africa Today vol. 66, no. 2, pp. 55–81. DOI: https://doi.org/10.2979/africatoday.66.2.04.

Tomaselli, Keyan G. “Africa, Film Theory and Globalization: Reflections on the First Ten Years of the ‘Journal of African Cinemas’.” Journal of African Cinemas vol. 13, no. 1, 2021, pp. 3–28. https://doi.org.10.1386/jac_00041_1.

Tomaselli, Keyan G. Encountering Modernity: Twentieth Century South African Cinemas. Rozenberg, 2006.

Vourlias, Christopher. “’I’m beyond pissed off’: South African filmmakers demand answers after country decides to sit out international Oscar race.” Variety. 21 Dec. 2022. https://variety.com/2022/film/global/south-africa-skips-international-oscar-race-1235466805/.

Downloads

Published

2023-04-01

How to Cite

Broodryk, C. (2023). New Afrikaans-language cinemas / Nuwe Afrikaanstalige rolprentrigtings. Tydskrif Vir Letterkunde, 60(1), 1–10. https://doi.org/10.17159/tl.v60i1.15918

Issue

Section

Editorials