Schrijven na Auschwitz, na apartheid, na de digital turn

Auteurs

DOI :

https://doi.org/10.4314/tvl.v52i1.7

Mots-clés :

Afrikaans poetry, committed poetry, digital turn, Dutch poetry, T.W. Adorno

Résumé

In this paper I discuss the concept of “engaged poetry” and the position of poetry with a so-called ethic dimension in the digital era. Taking the famous aphorism by Theodor W. Adorno as a starting point—“Nach Auschwitz ein Gedicht zu schreiben, ist barbarisch” (“After Auschwitz writing poetry is barbaric”)—and the two different interpretations of that statement formulated by the philosopher himself, I consider the relevance of the term “engaged literature”. I am aware that this article not only summarizes Adorno’s points of view, but I also present my own personal poetics as an academic and as a reader of modern poetry. I refer to contemporary poetry of Afrikaans in South Africa and Dutch, more particularly literature in the Dutch-speaking part of Belgium, to illustrate my point.

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Biographie de l'auteur

  • Yves T'Sjoen, Stellenbosch University, Stellenboch, South Africa

    Yves T’Sjoen is als hoofddocent verbonden aan de Vakgroep Letterkunde (Afdeling Nederlands) van de Universiteit Gent en als buitengewoon hoogleraar aan het Departement Afrikaans en Nederlands, Universiteit van Stellenbosch.

Références

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Publiée

2015-04-01

Numéro

Rubrique

Research articles

Comment citer

T'Sjoen, Y. (2015). Schrijven na Auschwitz, na apartheid, na de digital turn. Tydskrif Vir Letterkunde, 52(1), 94-112. https://doi.org/10.4314/tvl.v52i1.7