Richard Green in South African Film: Forging Creative New Directions (Keyan G. Tomaselli and Richard Green)

Auteurs

DOI :

https://doi.org/10.17159/tl.v61i1.17973

Mots-clés :

South African cinema, film studies

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Références

Cubitt, Sean. “Anecdotal evidence”. NECSUS. European Journal of Media Studies vol. 2, no. 1, 2013, pp. 5–18. DOI: https://doi.org/10.25969/mediarep/15070.

Dannhauser, Phyllis. “Finding Your Place Through Story: An Autoethnography of a Storyteller and Filmmaker in Academia”. Diss. U Johannesburg, 2018. https://ujcontent.uj.ac.za/esploro/outputs/9910663107691.

Harrod, Mary. “Starging the generic self: Céline Sciamma’s autofictional praxis”. French Screen Studies vol. 23, no. 2–3, 2023, pp. 212–30. DOI: https://doi.org/10.1080/26438941.2022.2149171.

Jackson, John L. “Theorizing production/producing theory (or, why filmmaking really could count as scholarship)”. Cultural Studies vol. 28, no. 4, 2014, pp. 531–44. DOI: https://doi.org/10.1080/09502386.2014.888925.

Jung, Carl. Modern man in search of a soul. Routledge, 2001.

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Publiée

2024-07-16

Numéro

Vol. 61 No 1 (2024)

Rubrique

Book reviews

Licence

(c) Copyright Tydskrif vir Letterkunde 2024

Creative Commons License

Ce travail est disponible sous licence Creative Commons Attribution - Partage dans les Mêmes Conditions 4.0 International.

Comment citer

Broodryk, C. (2024). Richard Green in South African Film: Forging Creative New Directions (Keyan G. Tomaselli and Richard Green). Tydskrif Vir Letterkunde, 61(1), 147-149. https://doi.org/10.17159/tl.v61i1.17973