Soul-brother Eugène N. Marais: Some notes towards a re-edit of his works
DOI :
https://doi.org/10.4314/tvl.v50i2.5Mots-clés :
Afrikaans poetry, biography, drug abuse, editing etiquette, Eugène N. Marais, nature studiesRésumé
The intention is to survey the current condition of the works of the South African Eugène Marais (1871–1936). This is with a view to alerting the general reader to certain inherited disorganisations which, in the light of professional scholarly and editing standards, need to be recognised and rectified. Marais’s output as a poet and short story writer, as well as the pioneer populariser of nature studies conducted particularly in the Transvaal Highveld after the Second Anglo-Boer War, in both official languages of his day (English and Afrikaans), have ensured him the status of a unique cultural icon. Yet the publishing opportunities open to him in his hand to mouth, haunted career, especially as a journalist, meant his contributions were assembled into book form haphazardly, or remained unrecuperated from often neglected periodicals of the mid-1890s to the mid1930s to which he contributed.
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(c) Copyright Tydskrif vir Letterkunde 2013
Ce travail est disponible sous licence Creative Commons Attribution - Partage dans les Mêmes Conditions 4.0 International.