In the tracks of the impossible

Authors

DOI:

https://doi.org/10.17159/2309-9070/tvl.v.56i1.6270

Keywords:

flamenco, Andalucia, Black Spain, Gurumbé

Abstract

Arising from experiences of slavery and exile, flamenco was strongly influenced, (re)created, and (re)imagined by black people who lived in southern Spanish cities for over 400 years. Despite consistent and intentional erasure, the fact is that between the fifteenth and nineteenth centuries, there was an important Black presence in the Iberian Peninsula. When I began research for Gurumbé: Canciones de tu Memoria Negra (2016) (Gurumbé: Afro-Andalucian Memories), I set out to reveal this history, to break this silence and expulsion that denies the history and legacy—and the humanity—of Afro-Andalusians. And under the many layers of silencing the memory of Spanish Afrodescendants, I found that Black memory had survived in the body. In flamenco, it created a discourse of resistance in the fact of the oppressors which has transcended time and history.

Downloads

Download data is not yet available.

Metrics

Metrics Loading ...

Author Biography

Miguel Ángel Rosales

Miguel Ángel Rosales is a documentary filmmaker based in Seville, Spain. He has directed three awarded-winning short and medium-length films: La Maroma (2011), Atrapados al Vuelo (2012), and Luz en los Márgenes (2013).

References

Appadurai, Arjun. Fear of small number. Duke U P, 2006.

Archivo General de Indias, “La Compañía Gaditana de Negros.” Sevilla.

Augé, Marc. Le temps en ruines. Editions Galilée, 2003.

Benhabib, Seyla. Critique, Norm and Utopia: A Study of the Foundations of Critical Theory. Columbia U P, 1986.

De Jesús, Teresa. Libro de la Vida. San Pablo, 2007.

Del Campo, Alberto & Rafael Cáceres. Historia cultural del flamenco: El barbero y la guitarra. Almuzara Editorial, 2013.

Fra Molinero, Baltasar. La imagen de los negros en el teatro del Siglo de Oro. Siglo XXI Editores España, 1995.

García de León, Antonio. Fandango: El ritual del mundo jarocho a través de los siglos. Programa de Desarrollo Cultural del Sotavento, 2006.

Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. Verso, 1993.

Machado y Álvarez, Antonio. Colección de Cantes Flamencos, recogidos y anotados por Demófilo. Imprenta El Porvenir, 1881.

Moreno, Isidoro. La antigua hermandad de los negros de sevilla: etnicidad, poder y sociedad en 600 años de historia. Editorial Universidad de Sevilla, 1982.

Nerin, Gustau. La Ultima Selva de Espana: Antropofagos, Misioneros y Guardias Civiles: Cronica de La Conquista de Los Fang de La Guinea Espanola, 1914–1930. Libros de La Catarata, 2010.

Romero, Pedro G. “El sol cuando es de noche. Apuntes para habilitar una poética y una política entre flamencos y modernos, sitio paradójico.” La noche española: Flamenco, vanguardia y cultural popular 1865-1936. Museo Nacional Centro de Arte Reina Sofía, 2008, pp. 48–89.

Rosales, Miguel Á. Gurumbé. Canciones de tu Memoria Negra. Intermedia Producciones, 2016.

Ruíz Vergara, Fernando. Rocio. Tangana Films, 1980.

Trouillot, Michel-Rolph. Silencing the Past: Power and the production of History. Beacon, 1997.

Downloads

Published

2019-04-23

How to Cite

Rosales, M. Ángel. (2019). In the tracks of the impossible. Tydskrif Vir Letterkunde, 56(1), 38–48. https://doi.org/10.17159/2309-9070/tvl.v.56i1.6270

Issue

Section

Research articles