Mogadishu as lost modern: In conversation with A Naked Needle

Auteurs

  • Ubah Cristina Ali Farah

DOI :

https://doi.org/10.17159/2309-9070/tvl.v.57i1.7984

Mots-clés :

Nuruddin Farah, African literature

Résumé

None

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Biographie de l'auteur

  • Ubah Cristina Ali Farah

    Ubah Cristina Ali Farah is a Somali Italian poet and novelist. She writes full-time and has published two novels, Madre piccola and Il comandante del fiume.

Références

Berezin, Mabel. “Emotions and Political Identity: Mobilizing Affection for the Polity.” Passionate Politics: Emotions and Social Movements, edited by Jeff Goodwin, James M. Jasper and Francesca Polleta. U of Chicago P, 2001.

Farah, Nuruddin. Links. Gerald Duckworth, 2005.

Farah, Nuruddin. A Naked Needle. Heinemann, 1976.

Farah, Nuruddin. Yesterday, Tomorrow: Voices from the Somali Diaspora. Cassell, 2000.

Giumale, Mohamed Sheikh Alì. Mogadishu. Perla dell’Oceano Indiano—Pearl of the Indian Ocean. P. Marzari Industrie Grafiche, n. d.

Kapteijns, Lidwien, “Discourse on moral womanhood in Somali popular songs, 1960–1990.” The Journal of African History vol. 50, no.1, 2007, pp. 101–22. DOI: https://doi.org/10.1017/s0021853708003927.

Prakash, Gyan. “Edward Said in Bombay.” Critical Inquiry vol. 31, no. 2, 2005, pp. 498–504. DOI: https://doi.org/10.1086/430978.

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Publiée

2020-04-20

Numéro

Vol. 57 No 1 (2020)

Rubrique

Essays

Licence

(c) Copyright Tydskrif vir Letterkunde 2020

Creative Commons License

Ce travail est disponible sous licence Creative Commons Attribution - Partage dans les Mêmes Conditions 4.0 International.

Comment citer

Farah, U. C. A. . (2020). Mogadishu as lost modern: In conversation with A Naked Needle . Tydskrif Vir Letterkunde, 57(1), 18-22. https://doi.org/10.17159/2309-9070/tvl.v.57i1.7984